Winds are averaging around 70mph at the moment, apparently. So there hasn't been any sowing today, as I'd hoped, because I was hoping to be able to do it outside and avoid having to acclimatise any indoor seedlings before putting them out. Not gonna happen in this weather...
One thing I forgot to mention in my rundown of celebrations is the saining. I know some people burn juniper, but for me there are potential problems with practicalities like upsetting the kids' lungs and the smoke alarms, so I've never tried it. Water seems to be the more common option for generally festive occasions, so I feel more comfortable with it and it's less obtrusive as far as everyone else in the house is concerned. The options are silvering the water or using spittle (and yes, I'm aware of the practice of using stale urine, but I'm not sure if that's a good idea with cats and dogs, I'd rather not encourage them to pee everywhere. Plus I think my husband would probably question the future of our marriage if he found me sprinkling urine over the doors and thresholds...), and while I've used both silver and spittle in the past, I tend to prefer silver.
Silver pennies are common for use in this kind of thing, especially sixpences in the old days (before decimalisation in 1971), but these days I don't think there's really any silver in pennies at all. As I was cleaning out a cupboard, though, I found a jar of old pennies that I rescued from my grandparents house as everything was being cleared out after my gran died. My grandparents kept a lot of things of 'value' and eventually mum and my aunt gave up trying to find a good home for things and just decided to bin or send stuff to a charity shop. I didn't want to let the jar of coins go, though. That kind of thing fascinates me, and there was a war medal in there from the First World War, as well as coins from all over the world (including Nazi Germany). Some of the coins go back as far as the early eighteenth century, but most are mid-late Victorian, and some of them have been drilled so they can be worn as charms. One or two of them are sixpences, so I picked the most battered and beaten for silvering the last of the water I collected at Bealltainn:
I figured that made it crooked enough. And I liked the idea of using something that connected with some of my ancestors, too. It seems to have worked well so I think I'll be making it a regular thing in my practices for the future.
We still haven't got around to starting our Spring picture. I have a kind of flu hangover and it's still kicking my arse a bit.
Also: A number of people have mentioned that they've been unable to post comments on the blog because of browser issues. I've changed the comments so they open up on a new page, instead of below the post, which should make commenting possible now if you've had problems in the past.
Friday, 4 February 2011
Tuesday, 1 February 2011
Spring!
For a lot of people at the moment, Spring is probably the furthest thing from their minds as they bask in the glories of a foot or two of snow...
Not so here, see:
There is life!
So celebrations began yesterday, in a slight panic because I forgot what day it was until the afternoon and then realised I needed to get the house in order, and things made and readied. The day kind of sprang itself on me. Appropriately enough, I suppose...
As it happened, I'd been having a clearout of the fridge and had some soup on the go (the carrots were getting past their best), and I pulled up the last of the leeks from the garden to go in the pot as well - I pulled up a bunch around Samhainn, I think, after sowing them in June or so (late, because of mild disaster...) but there wasn't much to them then so I left the rest to bulk up a bit. This time, they were a bit bigger, indeed:
Chop chop, and in they went into the soup. While Tom was still at school, Rosie helped me make some bread to go with it (I've finally got the knack. Mostly...we won't talk about the wholemeal attempt...), and she insisted we should make some fat balls for the birds. They seemed apt, for offerings to the land spirits, so we got some suet, honey and seeds out and melted and mixed it altogether, and Rosie decided we should do a cow and teddy bear shape (with some silicone cake/jelly moulds that I have).
After Tom came home we got on with making the dealbh Bride. Really, we all had a go, so I could show them what to do. We used a kit I found at the supermarket to make them, so we had a choice of pipe cleaners, beads, wool and decorative bits to pick from, plus a few extra bits from our craft box. Tom did well with his, and did most of it himself (I put the arms on and helped with the hair but he did everything else) and felt all grown up, while Rosie found the making part a bit too fiddly, so she mostly just decorated hers. Fun was had, mess was made, and here's what we ended up with:
Rosie's is in the middle (with the pink hair, of course), Tom's is to the right (with the green hair, of course), and mine is to the left. Knowing Rosie would want to play with hers, I decided to use Tom's for the ritual later on. First, though, there was butter that needed making, and bread that needed baking, and chocolate that needed melting (for some mousse. "You can't make mousse with real moose, can you mummy? That would be silly!" said Tom sagely. It would, Tom. Quite right.).
The butter took a lot of hard work, but once again I was helped and encouraged by the kids, who also took a turn or two to shake the cream, and we all sang for the lumps to come. I said this charm, too, but I've not been able to listen to the song because the website doesn't like my macbook too much. Ah well. We eventually had success, although it seemed to take longer than usualand I did get a bit worried for a wee while. My arms got a good workout, though.
We had a busy weekend so hadn't managed a trip to the supermarket and the cupboards were nearly bare, so instead of a good roast that I'd intended, I had to make do with whatever I could find at the village shop. I got some sausages made by the local butcher (they're really good), and did the obligatory buttery mash (with our own butter, and some of the buttermilk as well), and put some veg on. I'm not usually very good at mash - it tends to end up as slop, rather than mash - but I bashed 'em good this time and I took that as a good sign. For me, it's nearly a miracle.
Everyone had the bangers and mash, while I tried the homemade soup, bread, and butter:
OK, and a sausage or two as well. The soup was carrot, red lentil, ginger and honey (with the leeks, an onion, a good bit of paprika, and chicken stock, and whatever else I chucked in that seemed a good idea at the time). It was maybe a little over-gingered (Mr Seren disagreed), but I have to say, I was quite proud of myself with how it all turned out...
After the kids had gone to bed, I got down to my personal devotions. Over the weekend I decided to have a go at making a clay basket/bed for the dealbh Bride, but it still needed painting, so that was the first thing to do. I had a few ideas of what I wanted to do with it, but in the end I doubted my abilities to get too elaborate, and kept it simple:
Some might call it a bit wonky and lopsided, but I think I shall call it bespoke.
The paint dried quickly so it wasn't too long before I could get down to business. There was candle lighting, offerings, praises, devotions, and Bride being invited in, and the dealbh Bride being laid to bed with her wand (and applewood wand I was given by a friend some years ago now). When I opened the back door to invite her in, I had a go at doing it in Gáidhlig, and as if on cue, one of our cats (Grumble) came running in. Well. Hello.
While I was out getting Tom from school earlier, Mr Seren had been entertaining Rosie by playing with some of the wool from the dolly kit I'd bought, and he'd tried making a hair braid for her (what little hair she has is too fine for that, though). Rosie loved it though, and declared it a 'fairy catcher'. That gave me the idea to make it into a rowan charm for the kids' room, so I got one of the last bits of twig I have in the house that I collected a while ago, and some animal charms I've had lying around for a while now. I tied on the rowan to the piece of red wool, and put on a cow, a sheep, and a black cat. Mr Seren had put on the red feather already, at Rosie's insistence (the bag of feathers exploded in the cupboard under the stairs a while ago, and Rosie's obsessed with them and keeps managing to conjure them up from odd places she's stashed them). And lo:
I said a charm over it, asking Bride for protection, while I fiddled about fixing the bits on. It occurred to me that the silver was a happy coincidence, given her associations with smithing.
That was it for the evening, I think. I left Bride's portion of our feast, with the remaining buttermilk in the oven (away from the dogs) and took myself off to bed and a deep deep sleep. This morning dawned bright and sunny, and while it had been windy the day before, all was peaceful and quiet. As I went to the door to look for any signs that Bride had visited over night, who should appear as if on cue, but Grumble again.
Before breakfast, I got a stocking and some soil from the plant pot on my hearth shelf (since I have no peat- or real coal-fire to use), and went out to give it a good pounding and said:
I interpret it as a sort of treaty, in a way, a treaty of non-interference that as I work the land, the spirits of the place won't harm me or the crops, perhaps.
Later on in the day, after rain, hail, sleet, and rainbows, I consecrated the seeds as I intended, and Rosie and I put out our cow-shaped bird seed to finish off the day. The offerings I put out the night before have all gone, so they seem to have been accepted, and all in all I'm left with a feeling of near-completeness, now. There's just one more thing to do, and that's our Spring picture to replace the winter snowmen (and oh my, did they turn out to be apt).
Spring is coming. And frankly, I can't wait.
Not so here, see:
There is life!
So celebrations began yesterday, in a slight panic because I forgot what day it was until the afternoon and then realised I needed to get the house in order, and things made and readied. The day kind of sprang itself on me. Appropriately enough, I suppose...
As it happened, I'd been having a clearout of the fridge and had some soup on the go (the carrots were getting past their best), and I pulled up the last of the leeks from the garden to go in the pot as well - I pulled up a bunch around Samhainn, I think, after sowing them in June or so (late, because of mild disaster...) but there wasn't much to them then so I left the rest to bulk up a bit. This time, they were a bit bigger, indeed:
Chop chop, and in they went into the soup. While Tom was still at school, Rosie helped me make some bread to go with it (I've finally got the knack. Mostly...we won't talk about the wholemeal attempt...), and she insisted we should make some fat balls for the birds. They seemed apt, for offerings to the land spirits, so we got some suet, honey and seeds out and melted and mixed it altogether, and Rosie decided we should do a cow and teddy bear shape (with some silicone cake/jelly moulds that I have).
After Tom came home we got on with making the dealbh Bride. Really, we all had a go, so I could show them what to do. We used a kit I found at the supermarket to make them, so we had a choice of pipe cleaners, beads, wool and decorative bits to pick from, plus a few extra bits from our craft box. Tom did well with his, and did most of it himself (I put the arms on and helped with the hair but he did everything else) and felt all grown up, while Rosie found the making part a bit too fiddly, so she mostly just decorated hers. Fun was had, mess was made, and here's what we ended up with:
Rosie's is in the middle (with the pink hair, of course), Tom's is to the right (with the green hair, of course), and mine is to the left. Knowing Rosie would want to play with hers, I decided to use Tom's for the ritual later on. First, though, there was butter that needed making, and bread that needed baking, and chocolate that needed melting (for some mousse. "You can't make mousse with real moose, can you mummy? That would be silly!" said Tom sagely. It would, Tom. Quite right.).
The butter took a lot of hard work, but once again I was helped and encouraged by the kids, who also took a turn or two to shake the cream, and we all sang for the lumps to come. I said this charm, too, but I've not been able to listen to the song because the website doesn't like my macbook too much. Ah well. We eventually had success, although it seemed to take longer than usualand I did get a bit worried for a wee while. My arms got a good workout, though.
We had a busy weekend so hadn't managed a trip to the supermarket and the cupboards were nearly bare, so instead of a good roast that I'd intended, I had to make do with whatever I could find at the village shop. I got some sausages made by the local butcher (they're really good), and did the obligatory buttery mash (with our own butter, and some of the buttermilk as well), and put some veg on. I'm not usually very good at mash - it tends to end up as slop, rather than mash - but I bashed 'em good this time and I took that as a good sign. For me, it's nearly a miracle.
Everyone had the bangers and mash, while I tried the homemade soup, bread, and butter:
OK, and a sausage or two as well. The soup was carrot, red lentil, ginger and honey (with the leeks, an onion, a good bit of paprika, and chicken stock, and whatever else I chucked in that seemed a good idea at the time). It was maybe a little over-gingered (Mr Seren disagreed), but I have to say, I was quite proud of myself with how it all turned out...
After the kids had gone to bed, I got down to my personal devotions. Over the weekend I decided to have a go at making a clay basket/bed for the dealbh Bride, but it still needed painting, so that was the first thing to do. I had a few ideas of what I wanted to do with it, but in the end I doubted my abilities to get too elaborate, and kept it simple:
Some might call it a bit wonky and lopsided, but I think I shall call it bespoke.
The paint dried quickly so it wasn't too long before I could get down to business. There was candle lighting, offerings, praises, devotions, and Bride being invited in, and the dealbh Bride being laid to bed with her wand (and applewood wand I was given by a friend some years ago now). When I opened the back door to invite her in, I had a go at doing it in Gáidhlig, and as if on cue, one of our cats (Grumble) came running in. Well. Hello.
While I was out getting Tom from school earlier, Mr Seren had been entertaining Rosie by playing with some of the wool from the dolly kit I'd bought, and he'd tried making a hair braid for her (what little hair she has is too fine for that, though). Rosie loved it though, and declared it a 'fairy catcher'. That gave me the idea to make it into a rowan charm for the kids' room, so I got one of the last bits of twig I have in the house that I collected a while ago, and some animal charms I've had lying around for a while now. I tied on the rowan to the piece of red wool, and put on a cow, a sheep, and a black cat. Mr Seren had put on the red feather already, at Rosie's insistence (the bag of feathers exploded in the cupboard under the stairs a while ago, and Rosie's obsessed with them and keeps managing to conjure them up from odd places she's stashed them). And lo:
I said a charm over it, asking Bride for protection, while I fiddled about fixing the bits on. It occurred to me that the silver was a happy coincidence, given her associations with smithing.
That was it for the evening, I think. I left Bride's portion of our feast, with the remaining buttermilk in the oven (away from the dogs) and took myself off to bed and a deep deep sleep. This morning dawned bright and sunny, and while it had been windy the day before, all was peaceful and quiet. As I went to the door to look for any signs that Bride had visited over night, who should appear as if on cue, but Grumble again.
Before breakfast, I got a stocking and some soil from the plant pot on my hearth shelf (since I have no peat- or real coal-fire to use), and went out to give it a good pounding and said:
An diugh Là Bride,
Thig an righinn as an tom,
Cha bhean mise ris an righinn,
Cha bhean an righinn rium.
This is the day of Bride,
The queen will come from the mound,
I will not touch the queen,
Nor will the queen touch me.
I interpret it as a sort of treaty, in a way, a treaty of non-interference that as I work the land, the spirits of the place won't harm me or the crops, perhaps.
Later on in the day, after rain, hail, sleet, and rainbows, I consecrated the seeds as I intended, and Rosie and I put out our cow-shaped bird seed to finish off the day. The offerings I put out the night before have all gone, so they seem to have been accepted, and all in all I'm left with a feeling of near-completeness, now. There's just one more thing to do, and that's our Spring picture to replace the winter snowmen (and oh my, did they turn out to be apt).
Spring is coming. And frankly, I can't wait.
Sunday, 30 January 2011
Quick post
Just a quick post - I found an academic article on Druidry and ancestor worship that turned out to be a good read, so I thought I'd share for anyone else interested:
The Role of Nature, Deities, and Ancestors in Constructing Religious Identity in Contemporary Druidry
That's the pdf link, there's also a Quick View on Google. Celtic Reconstructionism gets a passing mention (in Druidic terms, as per usual), but otherwise it mostly concentrates on Druidry in particular.
The Role of Nature, Deities, and Ancestors in Constructing Religious Identity in Contemporary Druidry
That's the pdf link, there's also a Quick View on Google. Celtic Reconstructionism gets a passing mention (in Druidic terms, as per usual), but otherwise it mostly concentrates on Druidry in particular.
Friday, 28 January 2011
Book Review: The Festival of Brigit
This is a book I found during my last trip to the library, and it made me all kinds of excited because I never even knew it existed, and I found it completely by accident. Serendipity. Off I skipped to the check out desk and brought it home for my reading pleasure, and given the season I wanted to get it read and reviewed before the big day next week, just in case there was something Very Important nestling in those shiny pages.
There was, as it happens. I realised I recognised one of the Brigit's crosses from my childhood, and showing the pictures to Mr Seren, he did too. According to this picture (from E Estyn Evans' Irish Folk Ways), it's number six. My nan (and my husband's nan) used to make them around Easter, though, although I don't remember them being called anything in particular. I remember making them out of wool or string and lollipop sticks, and I was never very good at it, really, but my sister used to make loads. It's odd, sometimes, the things that come back to you. I might have a go at making some with the kids at some point.
The Festival of Brigit: Celtic Goddess and Holy Woman
Séamas Ó Catháin
This is the same author who wrote The Festival of Brigit the Holy Woman (link to pdf) in the Celtica journal, which is full of lots of good stuff on Là Fhèill Brìghde. I also recently got hold of another article of his, which I did a mini-review of a month or two ago, Hearth-Prayers and other Traditions of Brigit: Celtic Goddess and Holy Woman in JRSAI Volume 122. Seeing as I'd been impressed by his previous work, then, I figured that theme would continue with the book.
The book is a fairly slim volume, consisting of five chapters with copious amounts of notes and references. Notes and references are always good in my book, so that always inspires confidence, and I sat down to read with enthusiasm.
After the introduction, I got to chapter one (naturally), and things began to look strangely familiar...Yup, it was familiar, because it's the article from the Celtica journal. Fair enough - still a good read, and full to the brim of all the folkloric kind of stuff that I'm interested in.
Chapter two takes a slightly odd tangent (I thought), in exploring Nordic and Finno-Ugrian connections with bears, and evidence of Irish hangovers of similar sorts of lore. Ó Catháin brings in the issue of the serpent ritual that Carmichael wrote about, drawing comparison to the symbolism of the bear waking up in spring, and the rite recognising the fact that the 'serpent' (i.e. maybe possibly a bear) is now becoming active as well. Generally the chapter left me scratching my head a little, but there was some interesting stuff on Norse/Irish parallels in inviting the spring season in (Ó Catháin gave Icelandic and Swedish examples, that bear a remarkable resemblance to the practice of inviting Bride in) that could've done with exploring a little more in detail, I thought - are the similarities indicative of a common Indo-European origin, or later influence from Norse settlers in Scotland and (to a lesser extent) Ireland? All in all, I was left a little confused here.
Moving on swiftly to chapter three, then, things started looking very familiar again. Yup...This chapter is the JRSAI article. In some ways this article is even more oddly tangential than the last, but there's still good reading to be had here. For the most part, though, a large part of it is only loosely to do with Là Fhèill Brìghde, but still relevant in a looser sense. Again, Ó Catháin draws comparison with Norse and Finno-Ugrian evidence, and brings up some interesting parallels, but in some ways it's lacking in anything conclusive or analytical.
Chapters four and five are a little more focused than chapter three, but are less relevant to the festival itself, really. Chapter four concentrates on tale types found in Ireland that bear similarities with Norse tales (of women being kidnapped from booleys, mainly), while chapter five concentrates on Brigit's associations with livestock (as well as other saints, like Columba and Brendan). There's a little bit about the brat Bride here, but overall, nothing that really grabbed me or kept me particularly enthused.
In the end, I was left feeling that there is something distinctly lacking here. This is a book that's really a collection of articles, whereas what it really needs to be (or what I wanted) is something much more cohesive. It would have been nice to have the first chapter expanded on, and the material dealt with in far more depth, and while the comparative material eventually made its point, I ended up wishing that he'd get to the point without so much waffle about things that didn't immediately appear relevant.
I just couldn't help but feel that the title of the book was more than a little misleading. Yes, it's a good read, for the most part - even if I didn't agree with some of the interpretations that were made - but I guess the title had me expecting something more focused on the subject matter it purported to be concentrating on. Having said that, I think it will certainly appeal to anyone with an interest in Brigit. Looking at copies of it that are available to buy, however, I'm not sure that the £200 price tag is really worth it.
OK, it's really not worth dropping £200 on, but then I'm not sure any book is, not really. I would say that if you can't get hold of the book from a library, there's still plenty to be getting on with if you start with the articles mentioned above.
There was, as it happens. I realised I recognised one of the Brigit's crosses from my childhood, and showing the pictures to Mr Seren, he did too. According to this picture (from E Estyn Evans' Irish Folk Ways), it's number six. My nan (and my husband's nan) used to make them around Easter, though, although I don't remember them being called anything in particular. I remember making them out of wool or string and lollipop sticks, and I was never very good at it, really, but my sister used to make loads. It's odd, sometimes, the things that come back to you. I might have a go at making some with the kids at some point.
The Festival of Brigit: Celtic Goddess and Holy Woman
Séamas Ó Catháin
This is the same author who wrote The Festival of Brigit the Holy Woman (link to pdf) in the Celtica journal, which is full of lots of good stuff on Là Fhèill Brìghde. I also recently got hold of another article of his, which I did a mini-review of a month or two ago, Hearth-Prayers and other Traditions of Brigit: Celtic Goddess and Holy Woman in JRSAI Volume 122. Seeing as I'd been impressed by his previous work, then, I figured that theme would continue with the book.
The book is a fairly slim volume, consisting of five chapters with copious amounts of notes and references. Notes and references are always good in my book, so that always inspires confidence, and I sat down to read with enthusiasm.
After the introduction, I got to chapter one (naturally), and things began to look strangely familiar...Yup, it was familiar, because it's the article from the Celtica journal. Fair enough - still a good read, and full to the brim of all the folkloric kind of stuff that I'm interested in.
Chapter two takes a slightly odd tangent (I thought), in exploring Nordic and Finno-Ugrian connections with bears, and evidence of Irish hangovers of similar sorts of lore. Ó Catháin brings in the issue of the serpent ritual that Carmichael wrote about, drawing comparison to the symbolism of the bear waking up in spring, and the rite recognising the fact that the 'serpent' (i.e. maybe possibly a bear) is now becoming active as well. Generally the chapter left me scratching my head a little, but there was some interesting stuff on Norse/Irish parallels in inviting the spring season in (Ó Catháin gave Icelandic and Swedish examples, that bear a remarkable resemblance to the practice of inviting Bride in) that could've done with exploring a little more in detail, I thought - are the similarities indicative of a common Indo-European origin, or later influence from Norse settlers in Scotland and (to a lesser extent) Ireland? All in all, I was left a little confused here.
Moving on swiftly to chapter three, then, things started looking very familiar again. Yup...This chapter is the JRSAI article. In some ways this article is even more oddly tangential than the last, but there's still good reading to be had here. For the most part, though, a large part of it is only loosely to do with Là Fhèill Brìghde, but still relevant in a looser sense. Again, Ó Catháin draws comparison with Norse and Finno-Ugrian evidence, and brings up some interesting parallels, but in some ways it's lacking in anything conclusive or analytical.
Chapters four and five are a little more focused than chapter three, but are less relevant to the festival itself, really. Chapter four concentrates on tale types found in Ireland that bear similarities with Norse tales (of women being kidnapped from booleys, mainly), while chapter five concentrates on Brigit's associations with livestock (as well as other saints, like Columba and Brendan). There's a little bit about the brat Bride here, but overall, nothing that really grabbed me or kept me particularly enthused.
In the end, I was left feeling that there is something distinctly lacking here. This is a book that's really a collection of articles, whereas what it really needs to be (or what I wanted) is something much more cohesive. It would have been nice to have the first chapter expanded on, and the material dealt with in far more depth, and while the comparative material eventually made its point, I ended up wishing that he'd get to the point without so much waffle about things that didn't immediately appear relevant.
I just couldn't help but feel that the title of the book was more than a little misleading. Yes, it's a good read, for the most part - even if I didn't agree with some of the interpretations that were made - but I guess the title had me expecting something more focused on the subject matter it purported to be concentrating on. Having said that, I think it will certainly appeal to anyone with an interest in Brigit. Looking at copies of it that are available to buy, however, I'm not sure that the £200 price tag is really worth it.
OK, it's really not worth dropping £200 on, but then I'm not sure any book is, not really. I would say that if you can't get hold of the book from a library, there's still plenty to be getting on with if you start with the articles mentioned above.
Another update
It turns out that the last article was the first in a set...
I touched on some genealogical bits and pieces in the last article, so it got me thinking about maybe expanding on it, just to get a different perspective. I've stuck to a very narrow view, as it were, and concentrated on the earliest periods that I can, for the most part. Here:
Gods as ancestors
And yes, there are some awe-inspiring and amazing illustrations again...
I touched on some genealogical bits and pieces in the last article, so it got me thinking about maybe expanding on it, just to get a different perspective. I've stuck to a very narrow view, as it were, and concentrated on the earliest periods that I can, for the most part. Here:
Gods as ancestors
And yes, there are some awe-inspiring and amazing illustrations again...
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